11/11/2022 0 Comments Roland spd 30 vs forumsome have severe crosstalk issues, some have only 6 velocity levels per pad, some have horrific feel, and some have excruciating os. The quality of these things varies immensely. Great fun, and very creative.I do some finger drumming, but its not a focus of mine (keys & guitar) and after trying to get a conga player play on the Studio pads for a recording session at the studio (call that a total fail) I have been looking at ways to enable drummers/percussionists to work in the studio and so have been checking out at percussion pads/sample pads/drum triggers. It looks complicated on paper, but it is easy once you practice - trust me! You get the button pushes memorised and create loops in a few minutes. Now every time you add more sounds to the original loop (or even effects), recording will stop at the end of the sample automatically, and the loop will always stay the correct length no matter what you add to it. Your loop is now exactly the length you need to loop perfectly at the BPM you originally chose. Follow the screen instructions to carry out the action. Select "Quick" again then "Wave Truncate". Set the cursor at the sample number you calculated before, then press "Enter". You can zoom in and out using the Right and Left buttons respectively (using the Up and Down arrow buttons zooms in and out on the wave amplitude). You now choose the End point using the large Plus and Minus buttons. Select "Quick" then "Wave Start/End", then select "End". Select "Menu" then "Pad", and highlight the name of the loop sample you just created. Go to "Perform % Record" mode and create your first loop sample while playing to the Click. Set the BPM by selecting "Menu" then "Kit" then setting "Kit Tempo". Length of loop in samples = Length of loop in seconds * 44,100 Here's a useful guide to create SPD-Sx loops of the perfect length for a set BPM.Ĭhoose the loop BPM you want, and the number of bars to loop.Ĭalculate the loop length you need in seconds: I actually don't even use the perform and record function the way it's explained, I use the basic sampling function and it works the same. These instructions look a little complicated, buts its really not. I am considering hacking into it to get access to all the pads externally.Īlso, some of the sounds you are looking for may be available on a standard E drum module but that's another wad of ca$h and you would want to hear them for yourself to see if they were what you are looking for. I recently added external pads on the right side of my kit and they are a lot easier for me to hit.but there are only 4 available inputs. I haven't hit the controls on the SX and that's saying a lot because I have been playing it left handed and I aint left handed. I use Mac's Garage band because it was free and easy.Īnd, since you are tech savvy, play guitar and some keys, you are light years ahead of me. It seems a lot more simple than trying to maneuver thru the SX. I do all my work on a computer and transfer the wav files to the SX. A search for wav files should give plenty of results. I've never looked because I create, record and playback things like keys/synth/horns as backing. I'm not sure where to find samples you are looking for. I had zero experience with sampling or recording an I managed to figure out a way to record and trigger samples on the SX. I consider it a privilege to be a part of this forum. Thanks in advance for taking the time to read this and for sharing your expertise. If I go the SPD-SX route, where do I find the samples I need (if I don't want to record them)? What would I be giving up/gaining with the Octapad? I don't need to loop (at least for this gig). I will add some PD-80 or equiv pads to either the Octapad or SPD-SX for the nasty Simmons-type sounds (which I'm sure the Octapad has) and to add a couple of high toms upon occassion. I play guitar and some piano, so I can tune sampled sounds where I want them. I'm technically oriented, but have not worked with sampling to any degree. I've got the gamut of typical assessory percussion triangle, cowbell (and more cowbell), blocks, wind chimes, and nearly enough cymbals (some would say way too many). And a bunch of standard percussion I'd prefer not to pack around. Tuned Triangles (seems pretty functionally the same sound as crotales). I've got artist- and era-specific drums, but I have neither the funds nor the desire to purchase the associated gear for this music (the guitarist bought a Rickenbacker 360 electric 12 string for JUST ONE SONG).Ĭrotales. Here's my dilemma: I am playing in a tribute band (Yes) for which I need to reproduce some melodic percussion parts.
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